在1920年代的巴黎，日本艺术家藤田嗣治为这城市所爱，他对于裸体女人的独特诠释折服了整个蒙帕尔纳斯艺术圈，他与凡东根、奇斯林、毕加索、蒙迪里阿尼等艺术大师私交甚笃，他的生活可谓多姿多彩，在二战的时候，他回到了祖国日本，他的生活与信仰被战争击碎了，他与自己的妻子隐居在日本北部小城青森，在乡下躲避战争，他也发现一个他从未了解的日本。

手机三部曲第三部，全程采用iPhone5拍摄。下水道井盖是她的痣，斑驳的墙壁是她的老年斑，充满褶皱的道路是她的皱纹，招贴画和海报是她的表情，涂鸦是她的纹身。巴黎的皮肤充满活力却又历经沧桑，明亮鲜活却又垂垂老矣。

NHK総合テレビ 　　現在、東京都美術館にて大盛況で開催せれている「没後50年 藤田嗣治展」 　　その天才画家・藤田嗣治さんの足跡を訪ねてフランスへ

A young Russian girl is forced into a life of prostitution in Czarist Russia, and she and a British journalist find their lives endangered when she reveals to him information regarding the social crimes rampant in her country.

杰米·贝尔将出演新片[皮肤](Skin，暂译)，丹妮尔·麦克唐纳([帕蒂蛋糕$])也已加盟，导演盖·纳蒂弗([神之子])。影片改编自真人真事。布里恩·温德尔曾是黑帮组织“温兰德光头党”头目，全身刺满了纹身。2006年婚后的温德尔决定退出黑帮并进行了25次激光清除手术，去 除了面部颈部手部的纹身。 　　（https://movie.douban.com/subject/27624787/ 短片版）

Sandra is a single mother. She lives with her teenage son and works as a security guard. One morning, on taking a different bus route than usual to a new security post, she meets Javier behind the wheel. The two often coincide on his routes and her strong attraction to him leads to an affair. In the midst of exhausting working days, they enjoy time off with their colleagues. Sandra squares up to her personal life, realises that she is much more than a mother and embarks on a road to freedom through her own experience of desire.

Sandra is a single mother. She lives with her teenage son and works as a security guard. One morning, on taking a different bus route than usual to a new security post, she meets Javier behind the wheel. The two often coincide on his routes and her strong attraction to him leads to an affair. In the midst of exhausting working days, they enjoy time off with their colleagues. Sandra squares up to her personal life, realises that she is much more than a mother and embarks on a road to freedom through her own experience of desire.

“它可以抵御恶劣的环境，抵御捕食者，交流，并能提供超常的感官能力。发现皮肤的非凡秘密。”在专家、动手实验和来自自然界的令人惊叹的案例研究的帮助下，这个引人入胜的系列揭示了皮肤是如何适应、移动和保护的。了解通过皮肤排泄致命毒素的青蛙，皮肤进化出“空调”以保持凉爽的动物，以及拥有自己类型防晒霜的河马。

1943年，12岁的常沙娜随父亲常书鸿来到莫高窟，满眼荒凉中，她没有看到过一朵花。走进洞窟时，她却看到一个硕大无朋的“空中花园”。从十六国到元代的一千余年间，中国和丝绸之路沿线都出现过哪些装饰图案？当时的中国人、外国人都穿什么衣服，戴什么配饰，化什么妆？这些细节都被敦煌画工完整忠实地记录下来了。让敦煌图案走进当代工艺美术设计，走进中国人的生活，这是常沙娜教授60年的艺术追求，也是他父亲、敦煌守护神常书鸿毕生的夙愿。（《探索发现》 20160122 敦煌画派（四）花开敦煌）